Three Colours: Red (Trois couleurs: Rouge) made in 1994 is the third film in Krzysztof Kieślowski’s ‘Three Colours Trilogy’. The trilogy discusses the French Republic’s three themes of: liberty, equality and fraternity, with Red focussing on fraternity.
Three Colours: White (Trois couleurs: Blanc) made in 1994 is the second film in Krzysztof Kieślowski’s ‘Three Colours Trilogy’. The trilogy discusses the French Republic’s three themes of: liberty, equality and fraternity, with White focussing on equality.
Three Colours: Blue (Trois couleurs: Bleu) made in 1993 is the first film in Krzysztof Kieślowski’s ‘Three Colours Trilogy’. The trilogy discusses the French Republic’s three themes of: liberty, equality and fraternity, with Blue focussing on liberty.
Zhang Yimou’s landmark 1991 film Raise the Red Lantern discusses themes of jealously, pragmatism and survival, set against a background of marital enslavement in China’s pre-Civl War Warlord era of the 1920s. The film’s story is told via a rich master’s fourth mistress Songlian, played by Gong Li.
Girhood (Bande de filles) made in 2014 is the third film in Céline Sciamma’s accidental ‘trilogy of youth’ series, following Water Lilies, and Tomboy. The film discusses the themes of: alienation, class and gender.
The Silence (Tystnaden) made in 1963 is the third film in Ingmar Bergman’s ‘Silence of God’ trilogy. The film discusses similar themes of: faith, certainty and reduction to the trilogy’s other films: Through a Glass Darkly, and Winter Light.
Winter Light (Nattvardsgästernal) made in 1963 is the second film in Ingmar Bergman’s ‘Silence of God’ trilogy. The film discusses similar themes of: faith, certainty and reduction to the trilogy’s other films: Through a Glass Darkly, and The Silence.
Through a Glass Darkly (Såsom i en spegel) made in 1961 is the first film in Ingmar Bergman’s ‘Silence of God’ trilogy. The film discusses similar themes of: faith, certainty and reduction to the trilogy’s other films: Winter Light, and The Silence.
V is a two-part American science fiction television film, written, produced and directed by Kenneth Johnson for initial broadcast in 1983. For some, V is of purely nostalgic interest with its science fiction and horror clichés and all too clear allegories. For others, it remains a science fiction treasure with a resonating influence for its lead female character Juliet Parrish (played by Faye Grant, below) and deep, sometimes brave, moralism.
Masculin féminin is 1966 film made by Jean-Luc Godard, telling the story of Chantal Goya’s and Jean-Pierre Léaud’s lives and careers in a representative 1960s Paris.
