A brief visual essay on composition in Roman Polanski’s first feature film, Knife in the Water.
Triangles, then in the final frame, the famous composition of the love triangle itself framed within a triangle.
Many of us have never seen a film with so many triangles!
Barely concealed tensions between Leon Niemczyk and Jolanta Umecka, if not the missing boy Zygmunt Malanowicz, are brought to the surface.
Reference: Knife in the Water – Wikipedia